chopin complete edition torrent flac arena

Chopin Complete Edition Torrent Flac Arena Full Romantic Expression

The sound here is slightly better than that on the Rubinstein Collection, but still better.

The sound is great.

You can hear Rubenstein breathing, and even some of his fingers hitting the keys are audible.

The piano benefits from the SACD treatmentno tininess in the upper register.

There are a few extraneous noises I cant explain, but they are in no way obtrusive.

Chopin Complete Edition Torrent Flac Arena Full Romantic Expression

Rubenstein, Polish himself, was a lifelong exponent of Chopin, in his full romantic expression.

I can always reccomend Rubenstein when listening to any Chopin.

Others are also wonderful (Ashkenazy, Perahia), but you simply MUST have some Rubenstein.

Buy this SACD, get a good glass of your favorite spirit, put on your best headphones and feel the music.

You will then be doing a search on Amazon for Rubenstein.trust me.

The SACD is better.

It is smoother and warmer than the 20-bit version.

More importantly, the SACD is also CHEAPER Its hard to beat Rubinsteins interpretation of the Ballades.

Rubinsteins seems to be the one that is just about rightnot overdone.not too fast etc.

I strongly recommend this SACD for anyone who loves Chopin.

Well straight on to number 2 and he was even more fiery than Perahia in the tempestuous outer sections.

Guitarist Haftor Medboe from Norway, mixes up different cultures, bringing into his new release the sundry voices of Scottish saxophonist Susan Mckenzie, Australian trombonist Chris Greive and Icelandic percussionist Signy Jakobsdottir.

To this line up he has also added the famous Edinburgh String Quartet and Kenny MacDonalds electronic knowledge.

Recorded in Scotland (precisely in Edinburgh in 2004), this album fetches a jazzy, electro-funky rhythm coupled with an embroiled string section.

Each voice is wonderfully heard and the arrangements are out-inspired.

Furthermore, the album is sonically produced, outlandish and finicky.

Susan Mckenzies soprano sounds easy and lurid in whatever water she is testing, as on Little Auk, Charivari and Teetotums introduction.

Chris Greives languid trombone is accurate and poignant as on Little Auk and Spor.

On Little Auk, Medboe showcases the lofty, well-demeanoured strings, all at the hands of a grounded Signy Jakobsdottirs percussion.

Guitar and percussion endorsements are impressive on Charivari.

In Perpetuity allows every section to burnish, both in the troupes work and being self-assured by Haftor Medboes proficient arranging abilities, and for solos, which take on the guitar.